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I’m a pretty sort of expansive person, because I don’t have to get uptight about a lot of stuff, but there’s certain things that I wouldn’t do. And if the subject was something I really didn’t agree with, then I wouldn’t do it. It wasn’t what I was expecting to do, but it happened when I was young. I’ve never felt that — I’ve always preferred somebody [coming to me], so it has usually happened that way.
Paul Auster – a life in pictures
We watch as her life begins to crack around her, but largely, that is it. It is so sparse that it makes the gorgeous 45 Years, for which she received her only Oscar nomination in 2016, look as action-packed as an Avengers movie. Rampling went to prestigious private girls’ schools in France and in England, and at the age of 16 left for a secretarial college in London.
: Modelling career, starting as actress
The resulting film has earned Rampling some of the strongest reviews of her long and illustrious career—or at least the latest chapter of it. During this period, Rampling also suffered from depression, which led to a nervous breakdown in the early 1990s. Therapy helped her emerge from this dark period and, quite possibly, made it possible to deal with the very public fallout from tabloid reports that revealed numerous infidelities committed by her second husband, composer Jean Michel Jarre. The worldwide success of "Dove" launched a revival of interest in Rampling, who soon resumed a steady and impressive schedule of quality projects. She was a ravishingly ruined Miss Havisham in the BBC's 1999 adaptation of "Great Expectations," then joined Alan Bates and Gerard Butler in Michael Cacoyannis' 1999 film version of Chekhov's "The Cherry Orchard."
Actress
She has just moved, she explains, to a new place in Paris, the city in which she has lived for decades, and nothing is where she expects it to be. “Yes, I really was pinging,” she says, with that imperious cut-glass accent. “Pinging is when you’re at the right place at the right time, and you know you can just make magic happen everywhere.” We don’t ping often in life, she says, but when we do, it’s wonderful. In that film, Rampling played one of her prickliest characters, a callous and ambivalent mother who prefers to blithely take a bath during her daughter’s (Kirsten Dunst) wedding reception rather than make small talk or give toasts with the guests downstairs. Tessa Charlotte Rampling OBE (born 5 February 1946) is an English actress, model and singer, known for her work in European arthouse films in English, French, and Italian. An icon of the Swinging Sixties, she began her career as a model and later became a fashion icon and muse.
She continued her late career resurgence with a celebrated turn in the miniseries "Restless" (BBC One 2012) and an award-winning role in "45 Years" (2015), culminating in an Oscar nomination. In 2019, it was accounced that she would co-star in Denis Villeneuve's remake of "Dune" (2020). That character, Gaby, offers a bit of a sketch outline for the more psychologically complex but no less irascible Ruth in Matthew J. Saville’s poignantly realized directorial debut “Juniper,” based on his own prickly grandmother’s final days. Rampling plays an alcoholic war photographer staring down terminal illness who, now confined to a wheelchair, a buzzer, and a never-empty pitcher of watered-down gin, hopes for one last great love affair. Meanwhile, she’s under the de facto care of her self-destructive grandson Sam (George Ferrier), whom she becomes unexpectedly close with. When Jodorowsky was preparing it, he was thinking about having me play the role of Jessica.
Cast (Feature Film)
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As she entered her sixties, Rampling's career was in full bloom, with steely supporting turns in "The Duchess" (2008) and "Never Let Me Go" (2010). The definition of class for many a moviegoer the world over, Rampling's formidable body of work made her one of the most respected actresses on two continents. I’ve always been more of a European actor than an American actor, it’s closer to who I feel that I am.
(2023 TV Movie)
We probably say it’s like that, because we’re Brits, we’re English actors, we’re self-deprecating people, so we wouldn’t say, I go to all these rehearsals and I get terribly, you know, go through these workshops. We’d never say that, or perhaps our generation wouldn’t. It’s that kind of subtlety that gives an effortless edge to certain performances.
In 2008, she portrayed Countess Spencer, the mother of Keira Knightley's title character, in The Duchess and played the High Priestess in post-apocalyptic thriller Babylon A.D. In 2002, she recorded an album titled Comme Une Femme, or As A Woman. It is in both French and English, and includes passages that are spoken word as well as selections which Rampling sang.[citation needed]. In February 2006, Rampling was named as the jury president at the 56th Berlin International Film Festival.
Night Train to Lisbon
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The character of the hard-bitten been-there-seen-that war reporter is a bit of a movie cliche. But Rampling is wonderful, adding layers to rude, arrogant Ruth, showing her affinity with those who are suffering. Ferrier is very good, too, as Sam, all unprocessed grief and defiance.
There has always been somebody who wanted to do it that coincides with something that suited me. IndieWire spoke with Rampling, dialing in from her home in Paris, about “Juniper,” her career, thoughts on creativity, and what drew her to play the steely, black-veiled prophet, Reverend Mother Gaius Helen Mohiam, in Denis Villeneuve’s “Dune” universe. Before teaming up with Denis Villeneuve, Rampling nearly starred in “Dune” back in the 1970s, when Alejandro Jodorowsky was at the helm, as Lady Jessica. After that project infamously fell apart, and she didn’t star in David Lynch’s version, she returned to Frank Herbert’s source material once Villeneuve cast her.
She appeared in the cult classic Vanishing Point, in a scene deleted from the U.S. theatrical release (included in the U.K. release). Lead actor Barry Newman remarked that the scene was of aid in the allegorical lilt of the film. In 2017, she won the Volpi Cup for Best Actress at the 74th Venice International Film Festival for Hannah.[6] She received an Honorary César in 2001 and France's Legion of Honour in 2002. She was made an OBE in 2000 for her services to the arts, and received the 2015 Lifetime Achievement Award from the European Film Awards. Variety hears that Gary Dartnall (“The Tale of Sweeney Todd”) and Grant Hill (“The Matrix Resurrections”) are on board to produce the project while Dennis Davidson is executive producer.
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